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Effects of vocal technique with Acapella on Singers

Immediate effects of Sounded High Frequency Oral Oscillation Technique in singers

Status
Recruiting
Phases
Unknown
Study type
Interventional
Source
REBEC
Registry ID
RBR-9hvj4tb
Enrollment
Unknown
Registered
2024-03-12
Start date
2023-12-10
Completion date
Unknown
Last updated
2025-10-27

For informational purposes only — not medical advice. Sourced from public registries and may not reflect the latest updates. Terms

Conditions

Voice Disorderes

Interventions

This is a crossover clinical study, with two arms, with a one-week washout, double blind. A total of 40 singers who meet the eligibility criteria will be allocated to carry out two interventions, one

Sponsors

Faculdade de Medicina da Universidade Federal de Minas Gerais
Lead Sponsor
Faculdade de Medicina da Universidade Federal de Minas Gerais
Collaborator

Eligibility

Age
18 Years to 50 Years

Inclusion criteria

Inclusion criteria: being a popular singer of popular genres; like pop; stone; hip hop; R&B; country; MPB;countryside; Gospel; from the city of Itabirito; be active in singing for at least 3 years; be between 18 and 50 years old

Exclusion criteria

Exclusion criteria: being an opera singer; be in speech therapy; have an infection or allergy that affects the upper airways on the day of collection; not being able to perform the technique; self-declare a disease of cardiovascular origin; neurological; pulmonary; cleft lips and/or palate; facial or rib fractures; be a smoker or have a diagnosis of laryngeal disorder

Design outcomes

Primary

MeasureTime frame
Evaluate changes in the participant's self-assessment of voice and breathing using: visual analogue scale (VAS) of voice and breathing before and after performing the techniques; two open (qualitative) post-technical questions: Please, regarding your voice and breathing, indicate whether you feel worse, no change or better; describe three adjectives from this perception; Borg CR10-BR scale adapted for vocal effort for post-technical performance. Vocal effort consists of a series of numbers from 0 to 10, accompanied by descriptions that help the individual to qualify the sensation of vocal effort. Each number on the scale represents an increasing level of perceived effort, where 0 indicates no effort and 10 indicates extremely intense vocal effort;Evaluate changes in the auditory-perceptual assessment of the voice. The pre and post moments will be randomly arranged for evaluating judges and only the researchers will have access to this information. Three speech therapists specializing in voice, with at least five years of experience, will listen and evaluate, through a comparison task, which of the two emissions is worse, does not observe any changes or is better, considering the vocal quality. To determine intra-rater agreement, 20% of the sample will be randomly replicated;Evaluate changes to acoustic measurements. Participants will emit the vowel /a/ sustained in the usual tone, counting numbers and glissando the vowel /a/ from the lowest to the highest. Measurements of fundamental frequency (fo), jitter (%), pitch disturbance quotient (PPQ%), Shimmer (%), amplitude disturbance quotient (APQ%) and noise-harmonic ratio (NHR dB) and cepstral measurements, Cepstral Peak Prominence (CPP) and Cepstral Peak Prominence-Smoothed (CPPS), before and after the techniques;Evaluate changes in peak expiratory flow, the maximum airflow speed achieved during a forced and rapid expiration, immediately after a maximum inspiration. To analyze the result, the percentage of lung capac

Secondary

MeasureTime frame
Secondary outcomes are not expected

Countries

Brazil

Contacts

Public ContactLeandro Henrique Dantas

Faculdade de Medicina da Universidade Federal de Minas Gerais

maestrodantas@gmail.com+55(31)8575-7054

Outcome results

None listed

Source: REBEC (via WHO ICTRP)