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Cognitive Effects of Music and Dance Training in Children

Cognitive Effects of Music and Dance Training in Children: A Randomized Controlled Trial

Status
Completed
Phases
NA
Study type
Interventional
Source
ClinicalTrials.gov
Registry ID
NCT03160391
Enrollment
75
Registered
2017-05-19
Start date
2012-01-01
Completion date
2013-11-30
Last updated
2017-05-19

For informational purposes only — not medical advice. Sourced from public registries and may not reflect the latest updates. Terms

Conditions

Cognitive Change

Brief summary

The study used a randomized controlled trial to test the efficacy of two interventions (dance and musical training) for typically developing children. Interventions were run for three weeks in local community locations. Participants were tested before and after the intervention on a battery of cognitive and behavioural measures. They were compared across groups, and to a control group who do not receive the intervention. The purpose of the current study was to assess the influence of dance and musical training on cognitive development. Research has indicated that musical training is associated with improve cognitive functioning, although the direction of such an association is unclear. Further, it is uncertain whether any benefits are specific to musical training or can also be demonstrated with other training activities. The current study used a randomized controlled trial to assess the causal effects of dance and musical training.

Detailed description

Participants Monolingual children aged between six and nine years old were recruited from two local communities in Ontario, Canada. Children with developmental delays, learning disabilities, or previous arts training were excluded from the study. Participants were randomly allocated to one of two groups 1. Dance intervention group 2. Music intervention group To establish baseline performance levels and have a comparison, a passive control group was collected from the same towns using the same exclusion criteria. Data analysis Difference scores were calculated for each measure by subtracting each participant's second testing session data from the first. When appropriate, iterative trimming with a 3 SD cutoff was used, by subject and by condition, to remove outliers. Results for each measure were analyzed using one-way ANOVAs (analysis of variance) for the between-subjects factor of training group (music, dance, or control).

Interventions

BEHAVIORALMusic Training

Training curriculums were developed using guidelines set by the Ontario Ministry of Education (The Ontario Curriculum, 2009) for teaching music to grades 1 to 3. Music was delineated into duration, pitch, dynamics and other expressive controls, timbre, texture/harmony, and form. training included direct instruction and group activities. All training programs had the same structure: a warm-up period, following by instruction from a teacher, and then group activities to practically demonstrate the concepts learned. Both programs involved working towards a variety of ensembles.

BEHAVIORALDance Training

As with music training, dance was operationally defined by fundamental concepts for the art form, namely elements for body, space, time, energy, and relationship. The intervention involved both individual and group activities, with a combination of instruction and practical activities, and preparation for a final performance.

Sponsors

York University
Lead SponsorOTHER

Study design

Allocation
RANDOMIZED
Intervention model
PARALLEL
Primary purpose
BASIC_SCIENCE
Masking
TRIPLE (Subject, Caregiver, Outcomes Assessor)

Masking description

Although the type of intervention provided was explicit (dance or music), participants, intervention providers, and outcomes assessors were not aware of the study hypotheses or predicted effects for each intervention. Hence they did not know whether they were in a treatment or control group.

Eligibility

Sex/Gender
ALL
Age
6 Years to 9 Years
Healthy volunteers
Yes

Inclusion criteria

* Monolingual

Exclusion criteria

* Developmental delays or learning disabilities * Previous arts training (in dance, drama, or music)

Design outcomes

Primary

MeasureTime frameDescription
Change in quantity-identity task switchingBefore and after intervention (3 weeks gap)quantity-identity task (Cepeda, Cepeda, & Kramer, 2000)
Change in visuospatial working memoryBefore and after intervention (3 weeks gap)Self-ordered pointing task (Cragg & Nation, 2007)
Change in interference control on flankerBefore and after intervention (3 weeks gap)Flanker task (Bunge, Dudukovic, Thomason, Vaidya, & Gabriela, 2002)
Change in color-shape task switchingBefore and after intervention (3 weeks gap)color-shape task (Wiseheart, Viswanathan, & Bialystok, 2015)
Change in verbal working memoryBefore and after intervention (3 weeks gap)Digit span (Weschler, 2008)
Change in interference control on StroopBefore and after intervention (3 weeks gap)Stroop task (Cepeda, Blackwell, & Munakata, 2013)

Secondary

MeasureTime frameDescription
Change in Non-verbal intelligenceBefore and after intervention (3 weeks gap)Kaufman Brief Intelligence Test (K-BIT-2; Kaufman & Kaufman, 2004)
Change in Receptive vocabularyBefore and after intervention (3 weeks gap)Peabody Picture Vocabulary Test (PPVT-IV; Dunn, Dunn, & Lenhard, 2015)
Change in processing speed using digit symbolBefore and after intervention (3 weeks gap)Digit symbol (Weschler, 1991)
Change in processing speed using symbol copyBefore and after intervention (3 weeks gap)Symbol copy (Weschler, 1991)
Change in processing speed using box completionBefore and after intervention (3 weeks gap)Box completion (Salthouse, 1993)

Outcome results

None listed

Source: ClinicalTrials.gov · Data processed: Feb 4, 2026