None listed
Conditions
Brief summary
Warming up is considered an integral part of pre-performance preparation in sport and music, and yet little information exists on how to best prepare to play. As such, this study will investigate the effects of core muscle, general cardiovascular, and on-instrument warm-ups on upper extremity and core muscle activity during violin performance. Additionally, the effects of the three warm-ups on participant audible performance quality will be analysed. It is predicted that both the use of warm-up and the mode undertaken will have a variable positive effect on muscle activity and sound quality.
Interventions
Subjects will perform 5 short (<1 min) violin excerpts both before and after a randomly allocated warm-up or control protocol. Participants will only be required to complete either the intervention or control protocols once. The intervention groups are: core muscle warm-up, general cardiovascular warm-up, or on-instrument warm-up; the control protocol is a 15 minute period of rest. The core muscle warm-up consists of 15 minutes of low-impact exercises targeting the gluteals, abdominals, obliques, back, and shoulders (abdominal planks, gluteal bridges, lower body rotation, single-plane shoulder exercises), performed at a rating of perceived exertion (RPE) of 11-13. The general cardiovascular warm-up consists of a 15 minute walk at a RPE of 11-13. The participant will be required to perform 15 minutes worth of scalar warm-ups on the violin for the on-instrument warm-up. 16 electromyographic (EMG) electrodes will be attached throughout the performance of the excerpts and warm-ups to the left & right upper trapezius, left & right erector spinae, left & right lower abdominals, left & right upper abdominals, right pectoralis major, right anterior deltoid, right biceps brachii, right triceps brachii, right & left forearm flexors, and right & left forearm extensors. Questionnaires regarding current warm-up habits and pain levels, as well as any changes in pain levels resulting from the warm-up interventions, will be administered before and after the performance of the warm-ups and excerpts. Both the pre- and post-warm-up performances of the excerpts will be audio recorded and independently and anonymously critiqued by selected Sydney Conservatorium of Music faculty and/or postgraduate students for comparative sound quality.
Sponsors
Study design
Eligibility
Inclusion criteria
University or professional violinists above the age of 18 with at least 10 years of violin playing experience
Exclusion criteria
Violinists below the age of 18 or with less than 10 years of violin playing experience that do not satisfy the distinction of either "university" or "professional" violinists.